Fall in love with an interior that will make you feel like in an exclusive store of jeweler Tiffany. Discover the world of New York of the 60s of the twentieth century alongside the charming Holly Golightly. Stay in the “Breakfast at Tiffany's” suite located in an elegant historic building in Łódź – a place where "nothing can go wrong".
"If I found this place, that'd make me feel like Tiffany's…” Holly Golithtly would surely say if she only had a chance to stay in this suite. It is here in the sleeping area where you can relax on a comfortable bed, looking at a romantic wall mural – a popular still from the film, depicting Holly and Paul.
Behind the double doors inside the room you will discover an elegant bathroom with a shower cabin. It ensures all the necessary utensils required by every stylish lady on the go, such as a hair dryer, toiletries. At your disposal will also be a 50-inch LCD TV with LED technology, fast WiFi and a radio.
Breakfast at Tiffany’s is one of the most recognizable films in cinema history. The 1961 production combines the light tone of romantic comedy with a touch of nostalgia and the loneliness of the big city. Even more than six decades after its release, the film continues to inspire audiences, fashion designers, and pop culture creators. The story of Holly Golightly has become a symbol of independence, dreams, and the need for connection. However, Breakfast at Tiffany’s is not just a love story—it is also a portrait of 1960s New York, a study of female freedom, and a film full of behind-the-scenes facts that add depth to its legacy.
The film was based on Truman Capote’s novella Breakfast at Tiffany’s. Capote, however, had a different vision for the main character. He imagined Marilyn Monroe in the role of Holly. Ultimately, the producers chose Audrey Hepburn, a decision that proved transformative. Hepburn brought elegance and delicacy to the character while softening the more provocative tone of the literary original, making the film more accessible to a wider audience.
The screenplay differs significantly from the novella. Some plotlines were simplified, and the ending was softened. Hollywood opted for a romantic finale that better matched the expectations of audiences at the time.
One of the most recognizable elements of the film is the black dress designed by Hubert de Givenchy. The dress in the opening scene became a symbol of class and minimalism. Interestingly, several versions of the dress were made, and one was later sold at auction for an impressive sum. Holly Golightly’s style continues to inspire designers and fashion enthusiasts today.
The song “Moon River,” performed by Hepburn, became one of the most famous film songs of all time. Composed by Henry Mancini, it was initially met with skepticism by the producers, who considered removing the slow, nostalgic melody. Hepburn strongly opposed this decision. The song remained in the film and went on to win an Oscar. Today, it is hard to imagine Breakfast at Tiffany’s without this iconic window scene.
Holly’s cat plays an important role in the film. It has no name, symbolizing her fear of attachment. Interestingly, two different cats portrayed the role, and one even received a special award for “animal actor.”
Filming took place in authentic Manhattan locations. The scene outside Tiffany & Co. was shot early in the morning to avoid crowds. At the time, filming inside real luxury stores was rare. The production received special permission, which added to the film’s prestige.
Hepburn’s co-star was George Peppard. At first, the actors’ relationship was not ideal—they had different temperaments and approaches to work. Despite this, they created a convincing on-screen duo. Professionalism allowed them to build subtle chemistry between the characters.
Even in a carefully crafted film, a few continuity errors can be noticed. In some scenes, the placement of props changes between shots. For example, during the party at Holly’s apartment, she parades among guests with a very long cigarette holder. In a later scene, when she sets one of the women’s hats on fire, the holder is shorter—then in the next shot, its length returns to what it was at the beginning of the party. The holder is telescopic, visible in several shots throughout the film.
