Romek is fired from work for reckless truck driving. To drown out his fears and fill the excess leisure time he roams around town stealing with his buddies and hanging out in bars. Everything changes when his girlfriend unexpectedly becomes pregnant. Romek decides to settle down - can he clean up his act?
The "End of the Night" suite is dedicated to a film story of the generation of twenty-somethings from the second half of the 50s of the twentieth century. The beige and brown interior, images from the movie and wall mural featuring the titular Romek (played by Zbigniew Cybulski) will introduce you to the unique atmosphere of the 60s.
In the sleeping area we placed a large, comfortable double bed, while the sitting area features an elegant oak table with chairs. The suite is also equipped with a kitchenette and functional bathroom with a shower cabin. Another striking feature of this room is a large balcony window overlooking the building’s courtyard.
The film "The End of Night" is one of the less obvious, yet highly interesting, productions of Polish cinema of the 1950s.
It was made in 1956, and although the title is not as recognizable today as other films from that era, "The End of Night" constitutes an important voice in the discussion about the young generation of post-war Poland.
One of the most interesting features of the film is its structure. "The End of Night" consists of three short stories, each directed by a different director. These were young filmmakers just beginning their artistic careers.
This format was a bold choice at the time. It allowed for the presentation of different perspectives on the same subject. The main theme was youth and their place in a changing reality.
The film provided a debut space for filmmakers who would later co-found the movement known as the Polish Film School. Today, "The End of Night" is often hailed as a harbinger of greater change in cinema. The film demonstrated that it was possible to discuss the problems faced by young people in a more realistic way.
The film focuses on the stories of young characters. Each short story depicts different experiences. Themes of loss, ambition, and the need for acceptance emerge. The filmmakers tried to avoid clear-cut judgments.
It is precisely the honesty of the message that makes the film so compelling to this day. "The End of Night" doesn't moralize. Rather, it observes and asks questions.
The production was created during a political and social upheaval. The cultural climate was changing. The film moved away from rigid formulas. The characters were more natural. The dialogue sounded more relaxed than in many previous productions.
"The End of Night" clearly attempts to portray everyday life without oversimplification. This was a step toward modern cinema.
The film's budget was modest. The filmmakers had to use available locations. Many scenes were shot in authentic urban spaces. This influenced the film's austere atmosphere.
The economics of the film forced creativity. Today, this can be an inspiration for young directors. Sometimes, limitations help build a style.
The film features actors who later gained recognition in Polish cinema. "The End of the Night" became an important professional experience for them. It reflects the freshness and naturalness of their performances.
This is one of the reasons why the production retains its authentic character.
